So, while I'm happy as always to delve into the nominations, it comes with a big, fat caveat, in that I've only scratched the surface of the nominees this year. I suppose I'll take this post in a new direction, and use the nominees to refine the list of movies I'm looking forward to catching up with at some point, and which ones can be safely passed by. Let's hit it!
BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight
Case in point! I've only seen two of the Best Picture nominees (Room and The Martian, both of which were excellent), but have a strong interest in four of the others. I'd really like to get to The Big Short, Brooklyn, Mad Max: Fury Road, and Spotlight. I'm surprised and slightly upset that Carol didn't get nominated, and would easily bump Bridge of Spies for it to have a spot. I haven't seen Bridge of Spies; it just seems from everything I've read and heard that it's a perfectly decent movie with nothing particularly remarkable about it except for Mark Rylance's performance.
There's more sad news for me, because The Revenant is the favorite to win this year. Everything about that movie completely turns me off, from its trying-too-hard marketing to the tales I've heard of its excessive gore. And yet, it seems to be riding a wave of inevitability. Of course, that's what I said about Boyhood last year, and look what happened there.
BEST ACTOR
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)
I'd love for Damon to take this one, but I am prepared for disappointment. This category is a good representation of why the people angry that no people of color have been nominated for acting awards in two years have an ironclad argument. This is a weak, weak, weak-ass field. Bryan Cranston is apparently required by California law to be nominated for something, and the best they could do after Breaking Bad ended was to put him up for a movie I literally hadn't heard of before hearing of his nomination. Nobody is talking about Trumbo. Audiences stayed away from Steve Jobs in droves. Redmayne's nomination smacks of a half-hearted nod to transgender issues without really giving any consideration to whether the movie is any good.
And then there's the Leo issue. He wants this. He wants this bad. And as with Best Picture, I heave a heavy sigh in believing that he's probably going to get it. DiCaprio put himself through physical hell to get The Revenant made, and apparently, that ought to be enough to cement his win. Let's look on the bright side, though. Maybe if he finally wins one, he can stop putting on that I AM SERIOUSLY ACTING face he's taken to displaying in every movie.
BEST ACTRESS
Cate Blanchett (Carol)
Brie Larson (Room)
Jennifer Lawrence (Joy)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)
In any other year, I'd be pulling for Cate Blanchett to win her third Oscar. She was outstanding in Carol, but then, she's outstanding in everything. No, this year, I am all about Brie Larson. Happily, Hollywood seems to be behind me on this one. Her role in Room was an extraordinarily difficult one, and she knocked it out of the park. I also like that she seems to be an extremely versatile actress. Just line up her roles in Scott Pilgrim Vs. The World, Short Term 12, The Spectacular Now, and Trainwreck, and you'll instantly see why I'm such a huge fan.
BEST SUPPORTING ACTOR
Christian Bale (The Big Short)
Tom Hardy (The Revenant)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)
What a weird category. Jacob Tremblay, who I believe was literally in every single scene of Room, isn't nominated, and the overall front-runner is...Sylvester Stallone. I haven't seen Creed, though I'd like to, and I'm perfectly willing to believe he's good in it. It just seems odd, especially since Michael B. Jordan is nowhere to be seen. As I mentioned above, the only noteworthy thing I've heard about Bridge of Spies is Mark Rylance's performance, so I'm pleased to see him nominated, but no matter who takes this win, I'll be scratching my head about how this category shook out.
BEST SUPPORTING ACTRESS
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)
Jesus, this year. I quite like everyone on this list as actresses, but none of these individual roles fills me with excitement (again, allowing for the fact that I've only seen Mara's). I'll defer to the odds-makers on this one, though it'd be nice to see Carol get as much love as possible.
BEST DIRECTOR
Adam McKay (The Big Short)
George Miller (Mad Max: Fury Road)
Alejandro G. Iñárritu (The Revenant)
Lenny Abrahamson (Room)
Tom McCarthy (Spotlight)
Room was my pick for favorite movie last year, so it would be churlish of me not to root for Abrahamson. I don't know that The Big Short or Spotlight were flashy enough in terms of their direction to win the award, so my guess is that it'll come down to Miller vs. Iñárritu, in which case, I'd love to see George Miller take it.
BEST ORIGINAL SCREENPLAY
Matt Charman, Ethan Coen, and Joel Coen (Bridge of Spies)
Alex Garland (Ex Machina)
Pete Docter, Meg LeFauve, and Josh Cooley (Inside Out)
Josh Singer and Tom McCarthy (Spotlight)
Jonathan Herman and Andrea Berloff (Straight Outta Compton)
This is one of the more interesting categories. I didn't know until writing up this post that the Coen brothers were involved with Bridge of Spies. Ex Machina has tons of online support, while Inside Out is one of Pixar's strongest story-based movies ever. McCarthy may get awarded in writing if people don't vote for him for directing, and the whole controversy about only white people getting nominated for Straight-Outta-Compton has made this one the most fascinating races to watch. No pun intended.
BEST ADAPTED SCREENPLAY
Charles Randolph and Adam McKay (The Big Short)
Nick Hornby (Brooklyn)
Phyllis Nagy (Carol)
Drew Goddard (The Martian)
Emma Donoghue (Room)
Tough one! A win for Emma Donoghue would be spectacular, but adapting the scientific jargon of The Martian into a tight, exciting movie makes Goddard a good choice, too. Brooklyn is supposed to be gorgeously written, and adapting a book about the ins and outs of the financial sector can't be easy. Plus, Carol was haunting. I suppose there's no way to make this one a five-way tie? Darn.
BEST ANIMATED FEATURE
Anomalisa
Boy and the World
Inside Out
Shaun the Sheep Movie
When Marnie Was There
Inside Out. Next.
BEST FOREIGN FEATURE
Embrace of the Serpent (Colombia)
Mustang (France)
Son of Saul (Hungary)
Theeb (Jordan)
A War (Denmark)
I have no earthly idea. Earthly, get it?!? I'm here all week! Try the veal! I'll try to get an idea of what these movies are about as I watch the Oscar telecast, and see if any appeal to me.
BEST CINEMATOGRAPHY
Carol
The Hateful Eight
Mad Max: Fury Road
The Revenant
Sicario
If, like I suspect, The Revenant takes a lot of the top prizes, this would be a spectacular place to award Mad Max: Fury Road.
BEST COSTUME DESIGN
Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant
How is Carol nominated for so many things and yet not a Best Picture nominee?!? Gah! It's the only one of these five I've seen, and the costumes were, indeed, gorgeous.
BEST PRODUCTION DESIGN
Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant
My quote from last year: "I imagine this may be where outer space gets a chance to shine, so I wouldn't count out Interstellar." My take this year: "I imagine this may be where outer space gets a chance to shine, so I wouldn't count out The Martian."
BEST DOCUMENTARY FEATURE
Amy
Cartel Land
The Look of Silence
What Happened, Miss Simone?
Winter on Fire: Ukraine's Fight for Freedom
The only two that appear to have broad support are What Happened, Miss Simone? and Amy. That's not to say either of them will win (Cartel Land has the whiff of a film that the Academy would love to reward), but if the younger members are able to consolidate their votes, it may just go to Amy.
BEST DOCUMENTARY SHORT
Body Team 12
Chau, Beyond the Lines
Claude Lanzmann: Spectres of the Shoah
A Girl in the River: The Price of Forgiveness
Last Day of Freedom
Not only am I not familiar with any of these shorts, but just reading their titles makes me tired.
BEST FILM EDITING
The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens
I find Editing to be one of the more intriguing categories from year to year, and often, has the most infuriating winners. Neither Memento nor Boyhood won in their respective contests, which is obvious lunacy. I'm not sure what to make of this year, though my gut tells me I'd be pleased with a Mad Max: Fury Road win.
BEST VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens
I enjoyed Star Wars: The Force Awakens, and it had perfectly competent special effects, but I can't remember anything particularly outstanding about them. Still, that's my guess as to who's going to win. I have seen some of the effects of Ex Machina, though, and am rooting for them.
BEST MAKEUP AND HAIRSTYLING
The 100-Year-Old Man Who Climbed Out the Window and Disappeared
Mad Max: Fury Road
The Revenant
I suppose they're not allowed to only have two nominees, though they could have made an effort to fill the third spot with a movie that anyone has heard of. Let's go Mad Max: Fury Road on this one.
BEST ORIGINAL SCORE
Bridge of Spies
Carol
The Hateful Eight
Sicario
Star Wars: The Force Awakens
I'm not sure, and would like to hear what Dave Chen over at the /Filmcast thinks. He's usually on-point when it comes to judging film scores.
BEST ORIGINAL SONG
“Earned It” (Fifty Shades of Grey)
“Manta Ray” (Racing Extinction)
“Simple Song #3” (Youth)
“Til it Happens to You” (The Hunting Ground)
“Writing's on the Wall” (Spectre)
Oscar nominee Fifty Shades of Grey, everyone! No, wait... Oscar nominee Lady Gaga, everyone! I think the Spectre song was pretty bad, actually, and haven't heard any of the other four.
BEST ANIMATED SHORT
Bear Story
Prologue
Sanjay's Super Team
We Can't Live Without Cosmos
World of Tomorrow
I believe that World of Tomorrow is streaming on Netflix right now, so I'll have to make an effort to watch it before the ceremony. Also, I've heard that Sanjay's Super Team is better than the movie that follows it, so I'll choose that as my prediction.
BEST LIVE ACTION SHORT
Ave Maria
Day One
Everything Will Be Okay (Alles Wird Gut)
Shok
Stutterer
I haven't heard of any of these, so whatever the voters think is fine by me!
BEST SOUND EDITING
Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens
Until further notice, I'm just going to copy my comments for the last two categories every year: Have you got your copy of Beethoven's Fifth Symphony ready to go? Great! Go ahead and hit play! No-bo-dy caaaaaaaaaares. No-bo-dy caaaaaaaaaares....
BEST SOUND MIXING
Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens
Nobody caaaaaaaaaares-Nobody caaaaaaaaaares-Nobody caaaaaaaaaares.... Nobody caaaaaaaaaares-Nobody caaaaaaaaaares-Nobody caaaaaaaaaares.... Nobody cares! Nobody cares! Nobody fuuuuuckk-iiiiiiing caaaaaaaaares!
0 comments:
Post a Comment