Shorties #20

The days are rapidly getting shorter, so that must mean it's time for some Shorties! OK, fine, that was a weak transition. Give me some coffee, and I'll do better. In the meantime, how about we take a quick look at a handful of movies?

#1: World of Tomorrow: This 2015 short film (it clocks in at 17 minutes) was nominated for an Animated Short Oscar for last year's awards. It was made by Don Hertzfeldt, whose work I've liked before. It becoming available on Netflix streaming was the final incentive I needed to watch it, and I'm glad I did! It tells the story of a little girl who is visited by a future version of herself. Future Emily tells Emily Prime in a flat, dispassionate voice about all the wonders and horrors that await in the future world, but since Emily Prime is just a little kid, she's more interested in pretty flashing colors than in the plight of clones. It's amazing how much pathos and story can be packed into just a handful of minutes, and World of Tomorrow is definitely worth your time. (Grade: A-)

#2: The Heat: I liked Bridesmaids and Spy, and Ghostbusters was decent enough, so I felt I had to fill in my final Paul Feig/Melissa McCarthy gap with 2013's movie about mismatched police partners (McCarthy and Sandra Bullock) attempting to take down a drug ring. It was okay, and I laughed out loud a few times, but it didn't blow me away. It seemed like an excuse for Melissa McCarthy to cut loose with some off-the-cuff profanity for an hour or so, and the humor that can be wrung from that is limited. Still, it was worth a Netflix watch. (Grade: B-)

#3: Force Majeure: This 2014 drama from Sweden made waves in international film chatter, and I remember reading how surprised everyone was when it wasn't nominated for an Oscar. My friend Kyle and I were looking for a movie to watch after dinner one evening, and this one had floated to the top of both our lists. A Swiss family is taking a ski vacation at a resort in the French Alps. One afternoon, as they sit on the patio enjoying lunch, a minor avalanche descends on the guests, freaking everyone out. Nobody is hurt, but when he sees the snow coming, the dad Tomas (Johannes Bah Kuhnke) hightails it out of the restaurant, leaving his wife (Lisa Loven Kongsli) behind, along with his children. At first, everyone is relieved that no harm was done, but the fact that Tomas' first instinct was to abandon his loved ones pulls a thread that threatens the entire family dynamic. It's a really fascinating movie that leads in interesting and realistic directions about how people react when their fight-or-flight response kicks in, and what that means about our relationships with others. (Grade: B+)


#4: The Peanuts Movie: I'll admit, I was suspicious of a modern take on Peanuts, which is such a classic property. Most remakes of childhood favorites are terrible, and I didn't want a smudge on Charlie Brown's legacy. But when this 2015 movie started getting decent word-of-mouth, I decided it was worth a Netflix rental. Happily, the filmmakers know how special these characters are, and were very respectful of the source material. That doesn't mean nothing's changed, of course. The animation has been updated, and for the first time ever, we actually meet the little red-haired girl that Charlie Brown has been so enamored with for decades. Though there was too much focus on Snoppy over the the kids, I know I'm in the minority on that opinion. Overall, though, this movie really captured the heartfelt, sincere tone of the original comic strip and cartoon specials. (Grade: B)

#5: The Overnight: I read a couple of things about this 2015 comedy, and figured Adam Scott was enough of a draw to check it out. He and Taylor Schilling play husband and wife, who are new in their neighborhood, and are looking for other friends. Their kid sparks an acquaintance with another child, whose dad is Jason Schwartzman. He invites them over for dinner with him and his wife (Judith Godrèche), and after a lot of liquor, the relationship forming between these people who find each other so fascinating starts to take a strange turn. The movie has its charms, and wasn't a waste of time or anything, but it seems to think itself really daring for "transgressions" that aren't that wild. It's not a bad movie, but nothing about it stands out as particularly noteworthy. (Grade: B-)

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